Contemporary Art Classics: ‘Mogamma, A Painting in Four Parts: Part 3’

The sweeping clusters of lines and shapes push and pull our view across the picture plane. Standing in front of this huge painting is like experiencing the force of a hurricane.

Interview with artist Florence Hutchings for @floorrmagazine

“The dialogue with the work and the space around it continually changes. Whether it be the work in the studio having a messier feel or being placed in an interior type gallery it could hold a homely relatable feel or if it is placed in a traditional white cube space it gives it a ‘finished’ feeling”

Contemporary Art Classics: ‘My Bed’

The artwork is highly personal and contains various intimate items. Stained bedsheets, used condoms and underwear are some of the items which shocked the media and brought the artwork to the public’s attention.

Interview with artist Hedley Roberts for @floorrmagazine

“My work is all about what is not known, evident or visible. I’m really interested how we ‘know’ each other, how we assess our knowledge of each other, and how we continually renegotiate our relationship to each other”

Contemporary Art Classics: ‘Infinity Mirror Room – Phalli’s Field’

The work is part of a series of ‘Infinity Mirror Room’ installations which have been made over the course of Yayoi’s career. They are ground-breaking, immersive installations which create the illusion of vast, endless space through kaleidoscopic environments.

Contemporary Art Classics: ‘Ink Splash 2’

‘Ink Splash 2’ marks a break through in El Anatsui’s work by seeking to explore multiple physical possibilities in a single work of art. By combining elements of both painting and sculpture the work has helped to break traditional categorizations of art and redefine the art object. El Anatsui defines himself as both a painter and sculptor.

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