Interview with artist Florence Hutchings for @floorrmagazine

“The dialogue with the work and the space around it continually changes. Whether it be the work in the studio having a messier feel or being placed in an interior type gallery it could hold a homely relatable feel or if it is placed in a traditional white cube space it gives it a ‘finished’ feeling”

Interview with artist Edgar Serran for @floorrmagazine

“I typically choose raw materials for their political content, by which I mean the animal byproducts that are the building blocks of something known as dependency theory, which states that raw materials from underdeveloped countries are exported to wealthier nations/empires and enrich the latter at the expense of the former”

Interview with artist Hedley Roberts for @floorrmagazine

“My work is all about what is not known, evident or visible. I’m really interested how we ‘know’ each other, how we assess our knowledge of each other, and how we continually renegotiate our relationship to each other”

Interview with artist Sophie Vallance for @floorrmagazine

“Making paintings is basically making a series of decisions, and its one of the only things in life that makes me be really present with what I’m doing, so the act of painting as well as the subject matter ends up being therapeutic”

Interview with artist Willian Santos

“I’m interested in the relationship between the abstract and the figurative. The challenge is to the viewer. I aim to challenge their perspective of reality and see how far my work will take them.” – Willian Santos in discussion with featherblend.

Interview with artist Theo Ellison for @floorrmagazine

“Shock value for its own sake isn’t interesting, if it’s even possible to conjure it post-Information Age. However, I do look to inject a certain level of visual immediacy within the work to engage the viewer in a dialogue around the nature of imaging making”

Design a site like this with WordPress.com
Get started