Interview with artist Edgar Serran for @floorrmagazine

“I typically choose raw materials for their political content, by which I mean the animal byproducts that are the building blocks of something known as dependency theory, which states that raw materials from underdeveloped countries are exported to wealthier nations/empires and enrich the latter at the expense of the former”

Contemporary Art Classics: ‘Infinity Mirror Room – Phalli’s Field’

The work is part of a series of ‘Infinity Mirror Room’ installations which have been made over the course of Yayoi’s career. They are ground-breaking, immersive installations which create the illusion of vast, endless space through kaleidoscopic environments.

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