Interview with artist Florence Hutchings for @floorrmagazine

“The dialogue with the work and the space around it continually changes. Whether it be the work in the studio having a messier feel or being placed in an interior type gallery it could hold a homely relatable feel or if it is placed in a traditional white cube space it gives it a ‘finished’ feeling”

Interview with artist Edgar Serran for @floorrmagazine

“I typically choose raw materials for their political content, by which I mean the animal byproducts that are the building blocks of something known as dependency theory, which states that raw materials from underdeveloped countries are exported to wealthier nations/empires and enrich the latter at the expense of the former”

Interview with artist Hedley Roberts for @floorrmagazine

“My work is all about what is not known, evident or visible. I’m really interested how we ‘know’ each other, how we assess our knowledge of each other, and how we continually renegotiate our relationship to each other”

Interview with artist Sophie Vallance for @floorrmagazine

“Making paintings is basically making a series of decisions, and its one of the only things in life that makes me be really present with what I’m doing, so the act of painting as well as the subject matter ends up being therapeutic”

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